I am really pleased to announce that Marshall Amplification have sponsored the Super Chip Tune Samba Band, by way of several Marshall MS-4 Micro Amps. I am incredibly thankful for their contribution, it means the band can now be a full on marching band, no complicated wires and PA systems, just plug and play. More videos and pictures from the upcoming workshops soon!
I was fortunate to meet Allison Boggis at UCS and talk about my research the “Super Chip Tune Samba Band”, who in turn asked me to put together a short presentation for the UCS Early Years Academic Community meeting, it was nice to find out that there were other researchers interested in this area and how different all of our research is. It looks like their might be some interesting collaborations in the future.
Things are getting pretty hectic in the build up to Childhood Remixed, however I am still managing time to run some workshops. This time it’s a collaboration with The New Wolsey Theatre Creative Learning and Holywells High School. The plan is to use the green screen composite technique to put students in to a video game about students that have been shrunken down and teachers turned in to zombies. So this is gonna be good fun working with fellow project leader Laura Norman and her vast array of skills we shall be zombifying Holywells. More news an pics of the game in progress as it happens.
I went to the best car boot sale ever on Sunday and I mean ever, I bought twelve usable toys which is quite a lot considering I usually average around four. So I am well on target to acheive 31 toys this month. Probably the best thing was the white and green “Talking Computer” which I have circuit bent, so when it talks you turn a dial it completely scrambles it’s brain. I call it “Daisy” in reference to “Hal” and “2001″, I will upload audio clips from it as soon when the piece gets installed into the gallery.
“An Apple A Day” is an attempt to circuit bend / automate one toy everyday for a month, up a maximum of 31 toys, all of which will be accessible as musical instruments for the public to play, perform and record in their own music.
Childrens’ toys are often seen as transitional objects that let the child gain mastery of the world around them. Paradoxically “Childhood Remixed” seeks to re-purpose the toys of Pixelh8’s childhood with the skills and understanding of the world he has as an adult. By rewiring, re-purposing and re-using them he will essentially be remixing his own childhood to form an orchestra of automated toys and interactive instruments.
Scouring the local car boot sales, charity shops and in some cases rubbish bins, Pixelh8 was able to reclaim some of the toys that informed him musically and creatively as a child, by re-working them with new acquired skills it will in turn create a learning curve that folds back on itself.
Childhood Remixed was commissioned by Ipswich Borough Council & Turnstone Arts Grants sponsor Ip-art Award 2007- 2010 and will be on display in Town Hall Galleries from May 29th to July 12th as part of the Ip-art festival.
I am beginning to like Sundays, early start wander in to town to car boot sale and purchase toys to circuit bend over the course of the day. I bought this amazing toy guitar for 20p / 50 cents, it didn’t work when I got it home so I opened it up and found the speaker had some rusting and damage so I replaced it from another to and added in an audio jack and a severe 1M potentiometer pitch bend which is nice. Put it all back together and shazzzzam another toy for “An Apple A day”.
“An Apple A Day” is an attempt to circuit bend / automate one toy everyday for a month, up a maximum of 31 toys, all of which will be accessible as musical instruments for the public to play, perform and record in their own music.
Childrens’ toys are often seen as transitional objects that let the child gain mastery of the world around them. Paradoxically “Childhood Remixed” seeks to re-purpose the toys of Pixelh8’s childhood with the skills and understanding of the world he has as an adult. By rewiring, re-purposing and re-using them he will essentially be remixing his own childhood to form an orchestra of automated toys and interactive instruments.
Scouring the local car boot sales, charity shops and in some cases rubbish bins, Pixelh8 was able to reclaim some of the toys that informed him musically and creatively as a child, by re-working them with new acquired skills it will in turn create a learning curve that folds back on itself.
Childhood Remixed was commissioned by Ipswich Borough Council & Turnstone Arts Grants sponsor Ip-art Award 2007- 2010 and will be on display in Town Hall Galleries from May 29th to July 12th as part of the Ip-art festival.
“An Apple A Day” is an attempt to circuit bend / automate one toy everyday for a month, up a maximum of 31 toys, all of which will be accessible as musical instruments for the public to play, perform and record in their own music.
Childrens’ toys are often seen as transitional objects that let the child gain mastery of the world around them. Paradoxically “Childhood Remixed” seeks to re-purpose the toys of Pixelh8’s childhood with the skills and understanding of the world he has as an adult. By rewiring, re-purposing and re-using them he will essentially be remixing his own childhood to form an orchestra of automated toys and interactive instruments.
Scouring the local car boot sales, charity shops and in some cases rubbish bins, Pixelh8 was able to reclaim some of the toys that informed him musically and creatively as a child, by re-working them with new acquired skills it will in turn create a learning curve that folds back on itself.
Childhood Remixed was commissioned by Ipswich Borough Council & Turnstone Arts Grants sponsor Ip-art Award 2007- 2010 and will be on display in Town Hall Galleries from May 29th to July 12th as part of the Ip-art festival.
On January 31st, 2010 I ran a day long workshop at FACT, Liverpool, teaching people how to use the “SUPER CHIP TUNE SAMBA BAND” software, the new software is made to encourage people to perform chip tune music together in groups. The day long session included an introduction to chip tune music, why and how I made the software, the rehearsal and the performance by the participants. The software was designed to mimic the sounds of a samba band albeit a very chip tune samba band with a Sirdu, Caixa, Rep, Ganza and an Agogo, and utilising the participants existing hand-eye coordination, muscle memory and general video game playing skills to learn new and additional musical skills.
You can read my paper on it below, the research forms part of my Masters Degree at the Centre for Design Innovation, University Suffolk College, UK.
The event has attracted international press here and here thanks to Wired & GeekDad.
The feedback from the workshop was very very positive and some nice stories about families coming together for the event to make music. Very pleased that they really took to the idea of creating something with the DS instead of just being a passive consumer of it. I also gave them copies of SUPER CHIP TUNE SAMBA BAND and Music Tech Master Stroke so they can go away and make there own music. minus the conclusion which I will write up next week.
This event forms part of FACTs “Space Invaders: Art and the Computer Game Environment” season and is delivered in partnership with Netherlands Media Art Institution, Amsterdam. Special thanks to all staff at FACT and special thanks to Anna Kronenburg for organising the event.
“Beat Unboxed” is a real time musical toy sequencer, allows people to sequence some of the crazy toys in the exhibition. Using an Arduino, a PC, lots of relays, toys and Processing, simply clicking on the the various colour blocks you can trigger off different sounds in this 16-step sequencer to make up your own songs with. Be sure to also check out Warranty Void a circuit bent NES you can play and bend at the same time.
Childrens’ toys are often seen as transitional objects that let the child gain mastery of the world around them. Paradoxically “Childhood Remixed” seeks to re-purpose the toys of Pixelh8’s childhood with the skills and understanding of the world he has as an adult. By rewiring, re-purposing and re-using them he will essentially be remixing his own childhood to form an orchestra of automated toys and interactive instruments.
Scouring the local car boot sales, charity shops and in some cases rubbish bins, Pixelh8 was able to reclaim some of the toys that informed him musically and creatively as a child, by re-working them with new acquired skills it will in turn create a learning curve that folds back on itself.
Childhood Remixed was commissioned by Ipswich Borough Council & Turnstone Arts Grants sponsor Ip-art Award 2007- 2010 and will be on display in Town Hall Galleries from May 29th to July 12th as part of the Ip-art festival.
Childrens’ toys are often seen as transitional objects that let the child gain mastery of the world around them. Paradoxically “Childhood Remixed” seeks to re-purpose the toys of Pixelh8’s childhood with the skills and understanding of the world he has as an adult. By rewiring, re-purposing and re-using them he will essentially be remixing his own childhood to form an orchestra of automated toys and interactive instruments.
Scouring the local car boot sales, charity shops and in some cases rubbish bins, Pixelh8 was able to reclaim some of the toys that informed him musically and creatively as a child, by re-working them with new acquired skills it will in turn create a learning curve that folds back on itself.
As part of the project Pixelh8 has re-created the very experiment / accident that brought him into the world of chip tune and circuit bending, a circuit bent a Nintendo Nes, this is one of several audio and visual pieces that the public are actively encouraged to interactive and create with.
Childhood Remixed was commissioned by Ipswich Borough Council & Turnstone Arts Grants sponsor Ip-art Award 2007- 2010 and will be on display in Town Hall Galleries from May 29th to July 12th as part of the Ip-art festival.
For more information on Pixelh8 or “Childhood Remixed” visit pixelh8.co.uk
I mentioned it in an interview with Dazed Digital and on the Nerdy Show the other day, that I working on a new double album “The Schematic” an album split between “Software” happy poppy classic chip tune and “Hardware” aggressive and ambient glitch chaos chip tune. Instead of releasing a very schizophrenic album I decided to split the two, as I am both of those things and so is my music.
Already demos are done for “Emotional Depth Charge”, “Spiral” , “FM” and of course “Hunter”. However a lot of work is required on them if they are to sound how they are in my head and I can’t imagine it will be out until the end of the year. Very pleased with “Spiral” though dreamy synth which I have had the first minute on a loop while writing this blog and for the past hour. I have only really been able to start work on it today, as I had just finished the “Observations” project but it seems to flooding out almost dangerously fast.
There will be chip tune both classic and very retro machines, circuit bending, robots, several robots actually, and maybe just maybe some actual humans too. I will try and blog more than I did for “And The Revolution” it was difficult to do so for that as I was also working on “Obsolete?” at the time.
Internationally renowned chip tune musician Pixelh8 / Matthew C. Applegate makes his music from reprogramming some of the oldest and rarest vintage computer systems in the world.
Parallel to his involvement in music performance Pixelh8 lectures and runs music and computer related workshops across the United Kingdom and is patron of the Access To Music Centre, Norwich and is currently studying for his Masters Degree at UCS Centre for Design Innovation.